S. D. Bellows and B. F. G. Katz, “Constrained least-squares and maximum-likelihood calibration of absorption coefficients in reverberation time equations,” Acta Acustica, vol. 9, no. 25, pp. 1–17, 2025, doi:10.1051/aacus/2025011.

    J. De Muynke, J. Ferrando, and B. F. G. Katz, “A study on interpretation of medieval vocal repertoire through auralisation: an acoustic reconstruction of the Great Chapel of the Palais des Papes,” Sound Studies, pp. 1–27, 2025, doi:10.1080/20551940.2025.2459454.

    C. d’Alessandro, E. K. Canfield-Dafilou, S. S. Mullins, and B. F. G. Katz, “The position of Gothic organs in Notre-Dame de Paris: architectural evidence, acoustic simulations, and musical consequences,” Applied Acoustics, vol. 231, pp. 110506:1–10, 2025, doi:10.1016/j.apacoust.2024.110506. SI: Selected papers on RoomAcoustics at Forum Acusticum 2023.

    E. K. Canfield-Dafilou, B. F. G. Katz, and B. C. Chevallier, “History and Acoustics of Preaching in Notre-Dame de Paris,” Heritage, vol. 7, no. 12, pp. 6614–6628, 2024, doi:10.3390/heritage7120306. SI: Joint issue Heritage/Acoustics journals, The Past Has Ears: Archaeoacoustics and Acoustic Heritage.

    A. Afonso-Jaco, E. Adam, and B. F. G. Katz, “On prior visual experience in mental map navigation using allocentric and egocentric perspectives in the visually impaired,” Quarterly Journal of Experimental Psychology, 2024, doi:10.1177/17470218241286704.

    B. F. G. Katz, C. Cros, S. Peichert, and J. De Muynke, “The Past Has Ears at Notre-Dame: Acoustic digital twins for research and narration,” Digital Applications in Archaeology and Cultural Heritage, vol. 34, pp. e00369:1–16, 2024, doi:10.1016/j.daach.2024.e00369. SI: Digital Heritage Twins from Artificial Intelligence to Storytelling.

    J. De Muynke, D. Poirier-Quinot, and B. F. G. Katz, “Effect of interpolation artefacts on perceived stability of nearby sources in a navigable reverberant environment,” J Audio Eng Soc, 2024, doi:10.17743/jaes.2022.0158.

    S. D. Bellows and B. F. G. Katz, “Combining multiple sparse measurements with reference data regularization to create spherical directivities applied to voice data,” Acta Acustica, vol. 8, pp. 14:1–12, 2024, doi:10.1051/aacus/2024006.

    N. Eley, C. Lavandier, T. Psychoyou, and B. Katz, “Listener perception of changes in historically informed performance of solo baroque music due to room acoustics,” Acta Acustica, vol. 8, no. 6, pp. 1–15, 2024, doi:10.1051/aacus/2023069.

    B. N. Postma and B. F. G. Katz, “An archaeoacoustic study on shape: the case study of the Iffland Theatre’s history (1802-1817),” Acta Acustica, vol. 7, no. 54, pp. 1–11, 2023, doi:10.1051/aacus/2023046.

    A. Weber and B. F. G. Katz, “Sound scattering by the Gothic piers and columns of the Cathédrale Notre-Dame de Paris,” Acoustics, vol. 4, pp. 679–703, 2022, doi:10.3390/acoustics4030041.

    J. De Muynke, M. Baltazar, M. Monferran, C. Voisenat, and B. F. G. Katz, “Ears of the Past, an inquiry into the sonic memory of the acoustics of Notre-Dame before the fire of 2019,” J Cultural Heritage, vol. 65, pp. 169–176, 2022, doi:10.1016/j.culher.2022.09.006. SI: Notre-Dame.

    A. Afonso-Jaco and B. F. G. Katz, “Spatial knowledge via auditory information for blind individuals: Spatial cognition studies and the use of audio-VR,” Sensors, vol. 22, no. 13, pp. 1–17, 2022, doi:10.3390/s22134794. SI: Spatial Perception and Navigation in the Absence of Vision).

    A. Andreopoulou and B. F. G. Katz, “Perceptual impact on localization quality evaluations of common pre-processing for non-individual head-related transfer functions,” J Audio Eng Soc, vol. 70, no. 5, pp. 340–354, 2022, doi:10.17743/jaes.2022.0008.

    B. F. G. Katz, “Influence of time, temperature and pressure on the creasing of wool/polyester blended fibers,” American Journal of Engineering and Applied Sciences, vol. 14, no. 4, pp. 461–469, 2021, doi:10.3844/ajeassp.2021.461.469. SI: Materials, Mechanical and Manufacturing.

    D. Thery, D. Poirier-Quinot, S. Jouan, B. F. G. Katz, and V. Boccara, “Architectural acoustic design: Observation of use cases including audio-only and multimodal auralizations,” Building Acoustics, pp. 1–21, 2021, doi:10.1177/1351010X211045518.

    D. Poirier-Quinot and B. F. G. Katz, “On the improvement of accommodation to non-individual HRTFs via VR active learning and inclusion of a 3D room response,” Acta Acustica, vol. 5, no. 25, pp. 1–17, 2021, doi:10.1051/aacus/2021019.

    P. Stitt and B. F. G. Katz, “Sensitivity analysis of pinna morphology on head-related transfer functions simulated via a parametric pinna model,” J Acoust Soc Am, vol. 149, no. 4, pp. 2559–2572, 2021, doi:10.1121/10.0004128.

    B. Postma, E. Green, E. Kahle, and B. F. G. Katz, “Pre-sabine room acoustic guidelines on audience rake, stage acoustics, and dimension ratios,” Acoustics, vol. 3, pp. 235–251, 2021, doi:10.3390/acoustics3020017. SI: Room Acoustics.

    D. Thery and B. F. G. Katz, “Auditory perception stability evaluation comparing binaural and loudspeaker Ambisonic presentations of dynamic virtual concert auralizations,” J Acoust Soc Am, pp. 246–258, 2021, doi:10.1121/10.0002942.

    B. F. G. Katz and A. Weber, “An acoustic survey of the Cathédrale Notre-Dame de Paris before and after the fire of 2019,” Acoustics, vol. 2, pp. 791–802, Nov. 2020, doi:10.3390/acoustics2040044. SI: Historical Acoustics.

    F. Zagala, M. Noisternig, and B. F. G. Katz, “Comparison of direct and indirect perceptual Head-Related Transfer Function selection methods,” J Acoust Soc Am, vol. 147, no. 5, pp. 3376–3389, 2020, doi:10.1121/10.0001183.

    D. Poirier-Quinot and B. F. G. Katz, “Assessing the impact of Head-Related Transfer Function individualization on task performance: Case of a virtual reality shooter game,” J Audio Eng Soc, vol. 68, no. 4, pp. 248–260, 2020, doi:10.17743/jaes.2020.0004.

    M. Jeon, A. Andreopoulou, and B. F. G. Katz, “Auditory displays and auditory user interfaces: Art, Design, Science, and Research,” J Multimodal User Interfaces, vol. 14, no. SI: Auditory Display, pp. 139–141, 2020, doi:10.1007/s12193-020-00324-0.

    B. N. Postma and B. F. G. Katz, “Pre-Sabine room acoustic assumptions on reverberation and their influence on room acoustic design,” J Acoust Soc Am, vol. 147, pp. 2478–2487, 2020, doi:10.1121/10.0001082.

    J. D. Mathew, S. Huot, and B. F. G. Katz, “Comparison of spatial and temporal interaction techniques for 3D audio trajectory authoring,” J. Multimodal User Interfaces, vol. 14, no. 1, pp. 83–100, 2020, doi:10.1007/s12193-019-00314-x.

    D. Thery, V. Boccara, and B. F. G. Katz, “Auralization uses in acoustical design: a survey study,” J Acoust Soc Am, vol. 145, no. 6, pp. 3446–3456, 2019, doi:10.1121/1.5110711.

    B. F. G. Katz and M.-M. Mervant-Roux, “Comment entendre le passé ? Quelques lecons d’une collaboration de recherche entre acousticiens et spécialistes d’études théâtrales,” Revue Sciences/Lettres, no. 6, pp. 1–14, 2019, doi:10.4000/rsl.1645. SI: L’écho du théâtre 2. English title: How to hear the past? Some lessons from a collaborative research between acousticians and theatre studies specialists.

    B. N. Postma, S. Dubouilh, and B. F. G. Katz, “An archeoacoustic study of the history of the Palais du Trocadero (1878-1937),” J Acoust Soc Am, pp. 2810–2821, Apr. 2019, doi:10.1121/1.5095882. SI: Room Acoustics Modeling and Auralization.

    P. Stitt, L. Picinali, and B. F. G. Katz, “Auditory accommodation to poorly matched non-individual spectral localization cues through active learning,” Scientific Reports, pp. 1063:1–14, Jan. 2019, doi:10.1038/s41598-018-37873-0.

    B. N. Postma, S. Jouan, and B. F. G. Katz, “Pre-Sabine room acoustic design guidelines based on human voice directivity,” J Acoust Soc Am, vol. 143, no. 4, pp. 2428–2437, 2018, doi:10.1121/1.5032201.

    B. N. Postma and B. F. G. Katz, “The influence of visual distance on the room-acoustic experience of auralizations,” J Acoust Soc Am, vol. 142, no. 5, pp. 3035–3046, 2017, doi:10.1121/1.5009554.

    A. Andreopoulou and B. F. G. Katz, “Identification of perceptually relevant methods of inter-aural time difference estimation,” J Acoust Soc Am, vol. 142, no. 2, pp. 588–598, 2017, doi:10.1121/1.4996457.

    E. Hendrickx, P. Stitt, J.-C. Messonnier, J.-M. Lyzwa, B. F. G. Katz, and C. de Boishéraud, “Improvement of externalization by listener and source movement, using a “binauralized" microphone array,” J. Audio Eng. Soc, pp. 589–599, 2017, doi:10.17743/jaes.2017.0018.

    J. D. Mathew, S. Huot, and B. F. G. Katz, “Survey and implications for the design of new 3d audio authoring tools,” J Multimodal User Interfaces, vol. 11, pp. 1–11, June 2017, doi:10.1007/s12193-017-0245-z.

    E. Hendrickx, P. Stitt, J.-C. Messonnier, J.-M. Lyzwa, B. F. G. Katz, and C. de Boishéraud, “Influence of head tracking on the externalization of speech stimuli for non-individualized binaural synthesis,” J Acoust Soc Am, vol. 141, pp. 2011–2023, Mar. 2017, doi:10.1121/1.4978612.

    B. N. Postma, H. Demontis, and B. F. G. Katz, “Subjective evaluation of dynamic voice directivity for auralizations,” Acta Acust united Ac, vol. 103, pp. 181–184, 2017, doi:10.3813/AAA.919045.

    D. Poirier-Quinot, G. Parseihian, and B. F. G. Katz, “Comparative study on the effect of parameter mapping sonification on perceived instabilities, efficiency, and accuracy in real-time interactive exploration of noisy data streams,” Displays, no. SI: Sonification of Real-time Data, pp. 2–11, 2016, doi:10.1016/j.displa.2016.05.001.

    B. N. Postma and B. F. G. Katz, “Perceptive and objective evaluation of calibrated room acoustic simulation auralizations,” J Acoust Soc Am, vol. 140, pp. 4326–4337, Dec. 2016, doi:10.1121/1.4971422.

    L. Simon, N. Zacharov, and B. F. G. Katz, “Perceptual attributes for the comparison of Head-Related Transfer Functions,” J Acoust Soc Am, vol. 140, pp. 3623–3632, Nov. 2016, doi:10.1121/1.4966115.

    B. N. Postma and B. F. G. Katz, “Correction method for averaging slowly time-variant room impulse response measurements,” J Acoust Soc Am, vol. 140, pp. EL38–43, July 2016, doi:10.1121/1.4955006.

    B. F. G. Katz and G. Marentakis, “Advances in auditory display research,” J Multimodal User Interfaces, vol. 10, no. SI: Auditory Display, pp. 191–193, 2016, doi:10.1007/s12193-016-0226-7.

    A. Andreopoulou and B. F. G. Katz, “Subjective HRTF evaluations for obtaining global similarity metrics of assessors and assessees,” J Multimodal User Interfaces, no. SI: Auditory Display, pp. 1–13, 2016, doi:10.1007/s12193-016-0214-y.

    L. Simon, A. Andreopoulou, and B. F. G. Katz, “Investigation of perceptual interaural time difference evaluation protocols in a binaural context,” Acta Acust united Ac, vol. 102, pp. 129–140, 2016, doi:10.3813/AAA.918930.

    P. Luizard, B. F. G. Katz, and C. Guastavino, “Perceived suitability of reverberation in large coupled volume concert halls,” Psychomusicology: Music, Mind and Brain, vol. 25, no. SI: Performance Spaces for Music: Psychological and Acoustic Measures and Interactions, pp. 317–325, 2015, doi:10.1037/pmu0000109.

    M. Ammi and B. F. G. Katz, “Intermodal audio-haptic metaphor: Improvement of communication and interpersonal awareness for collaborative search tasks,” Virtual Reality, vol. 19, pp. 235–252, 2015, doi:10.1007/s10055-015-0273-5.

    B. N. Postma and B. F. G. Katz, “Creation and calibration method of virtual acoustic models for historic auralizations,” Virtual Reality, vol. 19, no. SI: Spatial Sound, pp. 161–180, 2015, doi:10.1007/s10055-015-0275-3.

    B. F. G. Katz, “In-situ calibration of the sound strength parameter G,” J Acoust Soc Am, vol. 138, no. 2, pp. EL167–173, 2015, doi:10.1121/1.4928292.

    A. Andreopoulou, D. R. Begault, and B. F. G. Katz, “Inter-laboratory round robin HRTF measurement comparison,” IEEE J Selected Topics in Signal Processing, vol. 9, no. SI: Spatial Audio, pp. 895 – 906, 2015, doi:10.1109/JSTSP.2015.2400417.

    P. Luizard, B. F. G. Katz, and C. Guastavino, “Perceptual thresholds for realistic double-slope decay reverberation in large coupled spaces,” J Acoust Soc Am, vol. 137, no. 75, pp. 75–84, 2015, doi:10.1121/1.4904515.

    M. Ammi and B. F. G. Katz, “Intermodal audio-haptic metaphor: Improvement of target search in abstract environments,” Intl J of Human Computer Interaction, vol. 30, no. 11, pp. 921–933, 2014, doi:10.1080/10447318.2014.941277.

    G. Parseihian, C. Jouffrais, and B. F. G. Katz, “Reaching nearby sources: Comparison between real and virtual sound and visual targets,” Frontiers in Neuroscience, vol. 8, pp. 269:1–13, 2014, doi:10.3389/fnins.2014.00269.

    P. Luizard and B. F. G. Katz, “Investigation of the effective aperture area of sliding and hinged doors between coupled spaces,” J Acoust Soc Am, vol. 136, no. 2, pp. EL135–EL141, 2014, doi:10.1121/1.4890202.

    B. F. G. Katz and M. Noisternig, “A comparative study of interaural time delay estimation methods,” J Acoust Soc Am, vol. 135, no. 6, pp. 3530–3540, 2014, doi:10.1121/1.4875714.

    P. Luizard, J.-D. Polack, and B. F. G. Katz, “Sound energy decay in coupled spaces using a parametric analytical solution of a diffusion equation,” J Acoust Soc Am, vol. 135, pp. 2765–2776, 2014, doi:10.1121/1.4870706.

    B.-A. J. Menelas, P. Bourdot, L. Picinali, and B. F. G. Katz, “Non-visual identification, localization, and selection of entities of interest in a 3D environment,” J. Multimodal User Interfaces, pp. 1–14, Feb. 2014, doi:10.1007/s12193-014-0148-1.

    L. Picinali, A. Afonso, M. Denis, and B. F. G. Katz, “Exploration of architectural spaces by the blind using virtual auditory reality for the construction of spatial knowledge,” Intl J of Human-Computer Studies, vol. 72, no. 4, pp. 393–407, 2014, doi:10.1016/j.ijhcs.2013.12.008.

    C. R. André, E. Corteel, J.-J. Embrechts, J. G. Verly, and B. F. G. Katz, “Subjective evaluation of the audiovisual spatial congruence in the case of stereoscopic-3D video and wave field synthesis,” Intl J of Human-Computer Studies, vol. 72, pp. 23–32, Jan. 2014, doi:10.1016/j.ijhcs.2013.09.004.

    T. Bouchara, C. Jacquemin, and B. F. G. Katz, “Cueing multimedia search with audio-visual blur,” ACM Trans. Appl. Percept., vol. 10, pp. 7:1–7:21, May 2013, doi:10.1145/2465780.2465781.

    M. Rébillat, X. Boutillon, E. Corteel, and B. F. G. Katz, “Audio, visual, and audio-visual egocentric distance perception by moving subjects in virtual environments,” ACM Trans. Appl. Percept., vol. 9, pp. 19:1–19:17, Oct. 2012, doi:10.1145/2355598.2355602.

    D. Schönstein and B. F. G. Katz, “Variability in perceptual evaluation of HRTFs,” J Audio Eng Soc, vol. 60, pp. 783–793, Oct. 2012, (url).

    G. Parseihian and B. F. G. Katz, “Morphocons: A new sonification concept based on morphological earcons,” J Audio Eng Soc, vol. 60, no. 6, pp. 409–418, 2012, (url).

    B. F. G. Katz, S. Kammoun, G. Parseihian, O. Gutierrez, A. Brilhault, M. Auvray, P. Truillet, M. Denis, S. Thorpe, and C. Jouffrais, “NAVIG: augmented reality guidance system for the visually impaired,” Virtual Reality, vol. 16, no. 4, pp. 253–269, 2012, doi:10.1007/s10055-012-0213-6.

    G. Parseihian and B. F. G. Katz, “Rapid head-related transfer function adaptation using a virtual auditory environment,” J Acoust Soc Am, vol. 131, no. 4, pp. 2948–2957, 2012, doi:10.1121/1.3687448.

    S. Kammoun, G. Parseihian, O. Gutierrez, A. Brilhault, A. Serpa, M. Raynal, B. Oriola, M.-M. Macé, M. Auvray, M. Denis, S. Thorpe, P. Truillet, B. F. G. Katz, and C. Jouffrais, “Navigation and space perception assistance for the visually impaired: The NAVIG project,” IRBM, vol. 33, no. 2, pp. 182 – 189, 2012, doi:10.1016/j.irbm.2012.01.009. Numéro spécial ANR TECSAN Technologie pour la santé et l’autonomie.

    B. F. G. Katz, F. Dramas, G. Parseihian, O. Gutierrez, S. Kammoun, A. Brilhault, L. Brunet, M. Gallay, B. Oriola, M. Auvray, P. Truillet, M. Denis, S. Thorpe, and C. Jouffrais, “NAVIG: Guidance system for the visually impaired using virtual augmented reality,” J Technology and Disability, vol. v. 24(2), pp. 163–178, 2012, doi:10.3233/TAD-2012-0344.

    B. F. G. Katz and G. Parseihian, “Perceptually based head-related transfer function database optimization,” J Acoust Soc Am, vol. 131, no. 2, pp. EL99–EL105, 2012, doi:10.1121/1.3672641.

    J. Pätynen, B. F. G. Katz, and T. Lokki, “Investigations on the balloon as an impulse source,” J Acoust Soc Am, vol. 129(1), pp. EL27–EL33, 2011, doi:10.1121/1.3518780.

    M. Rébillat, R. Hennequin, E. Corteel, and B. F. G. Katz, “Identification of cascade of Hammerstein models for the description of nonlinearities in vibrating devices,” J Sound and Vibration, vol. 330, pp. 1018–1038, 2011, doi:10.1016/j.jsv.2010.09.012.

    C. Jacquemin, R. Ajaj, S. Le Beux, C. d’Alessandro, M. Noisternig, B. Katz, and B. Planes, “Organ augmented reality: audio-graphical augmentation of a classical instrument,” Intl J of Creative Interfaces and Computer Graphics, vol. 1, no. 2, pp. 51–66, 2010, doi:10.4018/978-1-4666-0285-4.ch010.

    A. Afonso, A. Blum, B. F. G. Katz, P. Tarroux, G. Borst, and M. Denis, “Structural properties of spatial representations in blind people : Scanning images constructed from haptic exploration or from locomotion in a 3-D audio virtual environment,” Memory & Cognition, vol. 38, pp. 591–604, 2010, doi:10.3758/MC.38.5.591.

    N. Férey, J. Nelson, C. Martin, L. Picinali, G. Bouyer, A. Tek, P. Bourdot, J. Burkhardt, B. F. G. Katz, M. Ammi, C. Etchebest, and L. Autin, “Multisensory VR interaction for protein-docking in the CoRSAIRe project,” Virtual Reality, vol. 13, pp. 273–293, 2009, doi:10.1007/s10055-009-0136-z.

    J.-M. Vézien, B. Ménélas, J. Nelson, L. Picinali, P. Bourdot, M. Ammi, B. F. G. Katz, J. Burkhardt, L. Pastur, and F. Lusseyran, “Multisensory VR exploration for computer fluid dynamics in the CoRSAIRe project,” Virtual Reality, vol. 13, pp. 257–271, 2009, doi:10.1007/s10055-009-0134-1.

    M. Noisternig, B. F. G. Katz, S. Siltanen, and L. Savioja, “Framework for real-time auralization in architectural acoustics,” Acta Acust united Ac, vol. 94, pp. 1000 –1015, 2008, doi:10.3813/AAA.918116.

    C. Guastavino, B. F. G. Katz, J. Polack, D. Levitin, and D. Dubois, “Ecological validity of soundscape reproduction,” Acta Acust united Ac, vol. 91, pp. 333–341, 2005, (url).

    C. Guastavino and B. F. G. Katz, “Perceptual evaluation of multi-dimensional spatial audio reproduction,” J Acoust Soc Am, vol. 116, no. 2, pp. 1105–1115, 2004, doi:10.1121/1.1763973.

    B. F. G. Katz, “International round robin on room acoustical impulse response analysis software 2004,” Applied Research Letters Online, vol. 5, pp. 158–164, 2004, doi:10.1121/1.1758239.

    B. F. G. Katz, “Boundary element method calculation of individual head-related transfer function. I. Rigid model calculation,” J Acoust Soc Am, vol. 110, no. 5, pp. 2440–2448, 2001, doi:10.1121/1.1412440.

    B. F. G. Katz, “Boundary element method calculation of individual head-related transfer function. II. Impedance effects and comparisons to real measurements,” J Acoust Soc Am, vol. 110, no. 5, pp. 2449–2455, 2001, doi:10.1121/1.1412441.

    B. F. G. Katz, “Method to resolve microphone and sample location errors in the two-microphone duct measurement method,” J Acoust Soc Am, vol. 108(5), pp. 2231–2237, 2000, doi:10.1121/1.1314318.

    B. F. G. Katz, “Acoustic absorption measurement of human hair and skin within the audible frequency range,” J Acoust Soc Am, vol. 108(5), pp. 2238–2242, 2000, doi:10.1121/1.1314319.

    V. N.-L. Page, S. S. Mullins, B. F. G. Katz, and F. Billiet, Virtual Acoustic Reconstruction of Notre Dame Cathedral’s Choral Past, ch. 6, pp. 129–150. Leiden: Brill, 2024, doi:10.30965/9783846769133_007.

    B. F. G. Katz and M. Pardoen, “L’écho de la cathédrale,” in Notre-Dame de Paris, la science à l’oeuvre (P. Dillmann, P. Liévaux, A. Magnien, and M. Regert, eds.), pp. 130–135, Le Cherche-Midi, 2022, (url).

    B. F. G. Katz and P. Majdak, eds., Advances in Fundamental and Applied Research on Spatial Audio. InTechOpen, 2022.

    D. Poirier-Quinot, M. S. Lawless, P. Stitt, and B. F. G. Katz, “HRTF performance evaluation: Methodology and metrics for localisation accuracy and learning assessment,” in Advances in Fundamental and Applied Research on Spatial Audio (B. F. G. Katz and P. Majdak, eds.), ch. 3, Rijeka: IntechOpen, 2022, doi:10.5772/intechopen.104931.

    L. Picinali and B. F. G. Katz, “System-to-user and user-to-system adaptations in binaural audio,” in Sonic Interaction in Virtual Environments (M. Geronazzo and S. Serafin, eds.), Human-Computer Interaction, pp. 115–144, Springer Nature, 2022, doi:10.1007/978-3-031-04021-4_4.

    M. Noisternig, B. F. G. Katz, and B. Rafaely, eds., Proc. EAA Spatial Audio Signal Processing symposium: SASP 2019, 2019, doi:10.25836/sasp.2019.99.

    B. F. G. Katz and R. Nicol, “Binaural spatial reproduction,” in Sensory Evaluation of Sound (N. Zacharov, ed.), pp. 349–388, Boca Raton: CRC Press, 2019, (url). ISBN 978-1-4987-5136-0.

    L. Picinali, C. Feakes, D. A. Mauro, and B. F. G. Katz, “Spectral discrimination thresholds comparing audio and haptics for complex stimuli,” in Intl Workshop on Haptic and Audio Interaction Design (HAID), HAID 2012, (Lund, Sweden), pp. 131–140, C. Magnusson, D. Szymczak, and S. Brewster, 23/08 au 24/08 2012, doi:10.1007/978-3-642-32796-4_14.

    N. Ferey, A. Tek, P. Bourdot, M. Baaden, O. Delalande, M. Chavent, C. Martin, L. Piccinali, B. Katz, P. Bourdot, and L. Autin, “Advances in human-protein interaction - interactive and immersive molecular simulations,” in Protein-Protein Interactions (W. Cai, ed.), Rijeka: InTech, 2012, doi:10.5772/36568.

    C. Jacquemin, R. Ajaj, C. d’Alessandro, M. Noisternig, S. Le Beux, B. F. G. Katz, and B. Planes, Innovative Design and Creation of Visual Interfaces: Advancements and Trends, ch. Organ Augmented Reality: Audio-Graphical Augmentation of a Classical Instrument, pp. 131–147. 2012, doi:10.4018/978-1-4666-0285-4.ch010.

    B. F. G. Katz and L. Picinali, “Spatial audio applied to research with the blind,” in Advances in Sound Localization (P. Strumillo, ed.), pp. 225–250, InTech, 2011, doi:10.5772/15206. ISBN 978-953-307-224-1.

    M. Noisternig, F. Zotter, and B. F. G. Katz, Principles and Applications of Spatial Hearing, ch. Reconstructing sound source directivity in virtual acoustic environments, pp. 357–373. World Scientific Publishing Company, 2011. ISBN: 978-981-4313-87-2.

    T. Okamoto, B. F. G. Katz, M. Noisternig, Y. Iwaya, and Y. Suzuki, Principles and Applications of Spatial Hearing, ch. Implementation of real-time Room Auralization Using a Surrounding 157 Loudspeaker Array, pp. 373–382. World Scientific Publishing Company, 2011. ISBN: 978-981-4313-87-2.

    I. Frissen, B. F. G. Katz, and C. Guastavino, Auditory display, ch. Effect of sound source stimuli on the perception of reverberation in large volumes, pp. 358–376. No. 5954 (CMMR/ICAD 2009) in LNCS, Springer, 2010, doi:10.1007/978-3-642-12439-6_18.

    C. Jacquemin, R. Ajaj, S. Le Beux, C. d’Alessandro, M. Noisternig, B. Katz, and B. Planes, “The glass organ : musical instrument augmentation for enhanced transparency,” in Intl Symp on Smart Graphics, (Salamanca, Spain), pp. 1–12, May 28-30, 2009 2009.

    J.-C. Martin, C. d’Alessandro, C. Jacquemin, B. F. G. Katz, A. Max, L. Pointal, and A. Rilliard, Intelligent virtual agents, vol. 4722, ch. 3D audiovisual rendering and real-time interactive control of expressivity in a talking head, pp. 29–36. Berlin, Germany: Springer, 2007, doi:10.1007/978-3-540-74997-4_3.

    P. A. Morell, P. Luizard, D. Poirier-Quinot, and B. F. G. Katz, “High-resolution measurement of voice directivity in the horizontal plane,” in Intl Conges on Acoustics (ICA/ASA), May 2025.

    P. Luizard, P. A. Morell, D. Poirier-Quinot, and B. F. G. Katz, “High-resolution voice directivity: comparison of an artificial head and a human talker through two measurement systems,” in Annual German Conference on Acoustics (DAGA), Mar. 2025, (url).

    P. A. Morell, P. Luizard, D. Poirier-Quinot, and B. F. G. Katz, “Analyse de la directivité horizontale des voix françaises à haute résolution,” in Congès Français d’Acoustique.

    B. F. Katz, “The Past Has Ears An interdisciplinary project in digital archaeoacoustics,” in Proc. Gothic Ressonances, pp. 17–23, Zenodo, Dec. 2024, doi:10.5281/zenodo.14163329.

    S. Peichert, J. D. Muynke, and B. F. G. Katz, “Notre-Dame Whispers : a geolocated immersive walk through the sonic memory of Notre-Dame de Paris Cathedral,” in Proc. Gothic Ressonances, pp. 105–128, 2024, doi:10.5281/zenodo.14163355.

    V. Nunes-Le Page, S. S. Mullins, B. F. Katz, and F. Billiet, “Le chant dans le chœur de Notre-Dame à la fin du XIIe siècle. Expérimentations et analyses,” in Proc. Gothic Ressonances, Zenodo, Dec. 2024, doi:10.5281/zenodo.14163337.

    J. Ferrando, B. F. Katz, and J. De Muynke, “HeSoAN : un projet archéoacoustique : Reconstruire les conditions acoustiques de la chapelle pontificale du Palais des Papes d’Avignon au XIVe siècle,” in Proc. Gothic Ressonances, pp. 281–306, Zenodo, Dec. 2024, doi:10.5281/zenodo.14163429.

    D. Poirier-Quinot, S. S. Mullins, S. Jouan, and B. F. G. Katz, “Beneath the Louvre pyramid: immersive auralisation workflow for evaluating potential acoustic treatments,” in XR Salento (L. T. De Paolis, P. Arpaia, and M. Sacco, eds.), pp. 209–221, Springer Nature Switzerland, 2024, doi:10.1007/978-3-031-71710-9_15.

    B. F. G. Katz, M. Pardoen, J.-M. Lyzwa, S. Peichert, C. Cros, D. Poirier-Quinot, J. De Muynke, A. Ling, S. Cacheux, J. Griner, J. Mouscadet, and S. S. Mullins, “The Past Has Ears at Notre-Dame: Immersive audio experiences for public engagement,” in Audio Eng Soc Conv 156, (Madrid), pp. 251:1–8, 2024, (url).

    P. Abehsera-Morell, D. Poirier-Quinot, and B. F. G. Katz, “Perception of changes in source orientation-dependent reverberation for a visible virtual vocal source,” in Audio Eng Soc Conv 156, (Madrid), pp. 248:1–8, 2024, (url).

    S. D. Bellows and B. F. G. Katz, “Calibrating geometric room acoustic models using a gradient descent algorithm,” in Audio Eng Soc Conv 156, (Madrid), pp. 221:1–8, 2024, (url).

    E. K. Canfield-Dafilou and B. F. G. Katz, “Comparing virtual source configurations for pipe organ auralization,” in Audio Eng Soc Conv 155, (New York), pp. 159:1–9, Oct. 2023, (url).

    S. S. Mullins and B. F. G. Katz, “Immersive auralisation for choral ensembles,” in IoA Auditorum Acoustics, (Athens), 2023, (url).

    B. F. G. Katz and P. Stitt, “Size matters: new ways of working with scale models,” in IoA Auditorum Acoustics, (Athens), pp. 1–8, 2023, (url).

    D. Poirier-Quinot, M. S. Lawless, and B. F. G. Katz, “When HRTF training doesn’t work,” in Forum Acusticum, (Turin), pp. 2339–2346, 2023, doi:10.61782/fa.2023.0904.

    E. K. Canfield-Dafilou, S. S. Mullins, B. F. G. Katz, and C. d’Alessandro, “Searching for the location of the first medieval organ in Notre-Dame de Paris via acoustic simulation,” in Forum Acusticum, (Turin), pp. 2545–2552, 2023, doi:10.61782/fa.2023.0960.

    E. K. Canfield-Dafilou, S. S. Mullins, and B. F. G. Katz, “Can you hear the paintings? The effect of votive offerings on the acoustics of Notre-Dame,” in Forum Acusticum, (Turin), pp. 2537–2544, 2023, doi:10.61782/fa.2023.0841.

    P. Abehsera Morell, D. Poirier-Quinot, and B. F. G. Katz, “Projecting source directivity variations onto an existing binaural room impulse response,” in AES Intl Conf Spatial and Immersive Audio, pp. 37:1–8, Audio Engineering Society, 2023, (url).

    D. Poirier-Quinot, P. Stitt, and B. F. G. Katz, “RoomZ: Spatial panning plugin for dynamic RIR convolution auralisations,” in AES Intl Conf Spatial and Immersive Audio, pp. 19:1–7, Audio Engineering Society, 2023, (url).

    J. De Muynke, D. Poirier-Quinot, and B. F. G. Katz, “Creating navigable auralisations using RIR convolution: Impact of grid density and panning method on perceived source stability,” in AES Intl Conf Spatial and Immersive Audio, pp. 49:1–8, Audio Engineering Society, 2023, (url).

    G. V. Curulla, E. K. Canfield-Dafilou, P. Domenighini, B. Fabre, C. d’Alessandro, and B. F. G. Katz, “Pipe organ buffet radiation patterns under different excitation strategies,” in Intl Cong Acoustics, pp. 1–8, 2022, (url).

    N. Eley, T. Psychoyou, C. Lavandier, and B. F. G. Katz, “A custom feature set for analyzing historically informed baroque performances,” in Intl Cong Acoustics, pp. 1–8, 2022, (url).

    S. S. Mullins, E. K. Canfield-Dafilou, and B. F. G. Katz, “The development of the early acoustics of the chancel in Notre-Dame de Paris: 1160-1230,” in Symp The Acoustics of Ancient Theatres, (Verona), pp. 1–4, 2022, doi:10.58874/SAAT.2022.183.

    B. F. G. Katz, D. Murphy, and A. Farina, “PHE : The Past Has Ears project overview,” in Symp The Acoustics of Ancient Theatres, (Verona), pp. 1–4, 2022, doi:10.58874/SAAT.2022.27.

    E. K. Canfield-Dafilou, S. S. Mullins, and B. F. G. Katz, “Opening the lateral chapels and the acoustics of Notre-Dame de Paris: 1225-1330,” in Symp The Acoustics of Ancient Theatres, (Verona), pp. 1–4, 2022, doi:10.58874/SAAT.2022.185.

    J. De Muynke, N. Eley, J. Ferrando, and B. F. G. Katz, “Preliminary analysis of vocal ensemble performances in real-time historical auralizations of the Palais des Papes,” in Symp The Acoustics of Ancient Theatres, (Verona), pp. 1–4, 2022, doi:10.58874/SAAT.2022.204.

    G. Villegas Curulla, P. Domenighini, B. F. G. Katz, and E. K. Canfield-Dafilou, “Directivity of a small pipe organ buffet,” in Symp The Acoustics of Ancient Theatres, (Verona), pp. 1–4, 2022, doi:10.58874/SAAT.2022.205.

    N. Eley, C. Lavandier, T. Psychoyou, M. Jossic, and B. F. G. Katz, “Performance analysis of solo baroque music played in a period and modern hall,” in Congrès Français Acoustique 16, pp. 1–6, 2022, (url).

    G. Villegas-Curulla, P. M. Machado Dal Moro, B. Fabre, and B. F. G. Katz, “Radiation patterns of a multiple slit system and applications to organ buffet modeling,” in Congrès Français Acoustique 16, (Marseille, France), Apr. 2022, (url).

    P. Luizard, H. Demontis, P. Stitt, F. Brinkmann, B. F. G. Katz, and S. Weinzierl, “Premiers résultats d’un projet sur la directivité de la voix,” in Congrès Français Acoustique 16, pp. 1–6.

    B. F. G. Katz, J.-M. Lyzwa, and D. Poirier-Quinot, “La Vierge 2020 : Reconstructing a virtual concert performance Through Historic Auralisation of Notre-Dame Cathedral,” in Intl Conf 3D Audio (I3DA), pp. 1–9, 2021, doi:10.1109/I3DA48870.2021.9610849. video: https://youtu.be/83QClpt3hyU.

    N. Eley, S. Mullins, P. Stitt, and B. F. G. Katz, “Virtual Notre-Dame: Preliminary results of real-time auralization with choir members,” in Intl Conf 3D Audio (I3DA), pp. 1–6, 2021, doi:10.1109/I3DA48870.2021.9610851. video https://youtu.be/g6fwv8FzjS4.

    B. F. G. Katz, D. Murphy, and A. Farina, “The Past Has Ears (PHE) : XR Explorations of acoustic spaces as Cultural Heritage,” in Intl Conf on Augmented Reality, Virtual Reality and Computer Graphics (SALENTO AVR) (L. De Paolis and P. Bourdot, eds.), vol. 12243 of Lecture Notes in Computer Science, (Salento), pp. 91–98, Sept. 2020, doi:10.1007/978-3-030-58468-9_7. video https://https://youtu.be/nvC-SRuZkwc.

    D. Poirier-Quinot, L. Hardoin, and B. F. G. Katz, “Emily’s World: behind the scenes of a binaural synthesis production,” in Aud End Soc Conv 148, (Vienna), pp. 611:1–5, June 2020, (url).

    K. Delcourt, F. Zagala, A. Blum, and B. F. G. Katz, “What’s old is new again, using a physical scale model echo chamber as a real-time reverb,” in Audio Eng Soc Conv 147, (NYC), pp. 10236:1–6, Oct. 2019, doi:10.17743/aesconv.2019.978-1-942220-31-2.

    Y. Iwaya and B. F. G. Katz, “Inter-frequency band correlations in auditory filtered median plane HRTFs,” in Spatial Audio Signal Processing symposium (SASP), (Paris), Sept. 2019, doi:10.25836/sasp.2019.33.

    D. Thery and B. F. G. Katz, “Anechoic audio and 3D-video content database of small ensemble performances for virtual concerts,” in Intl Cong on Acoustics (ICA), (Aachen), pp. 739–746, Sept. 2019, doi:10.18154/RWTH-CONV-239178.

    B. F. G. Katz, D. Poirier-Quinot, and B. N. J. Postma, “Virtual reconstructions of the Théâtre de l’Athénée for archeoacoustic study,” in Intl Cong on Acoustics (ICA), (Aachen), pp. 303–310, Sept. 2019, doi:10.18154/RWTH-CONV-239683.

    A. Weber and B. F. G. Katz, “Numerical simulation round robin of a coupled volume case as compared to scale model measurements,” in Intl Cong on Acoustics (ICA), (Aachen), pp. 6051–6058, Sept. 2019, doi:10.18154/RWTH-CONV-239933.

    Y. Iwaya and B. F. G. Katz, “Analysis of head rotation trajectories during a sound localization task,” in Intl Cong on Acoustics (ICA), (Aachen), pp. 7247–7251, Sept. 2019, doi:10.18154/RWTH-CONV-239260.

    B. F. G. Katz, S. Le Conte, and P. Stitt, “EVAA: A platform for experimental virtual archeological-acoustics to study the influence of performance space,” in Intl Sym on Room Acoustics (ISRA), (Amsterdam), Sept. 2019, (url).

    D. Thery, V. Boccara, and B. F. G. Katz, “Auralizations use in acoustical design : preliminary results of a survey study,” in Intl Conf Auditorium Acoustics, (Hamburg), Institute of Acoustics, Oct. 2018.

    Y. Iwaya and B. F. G. Katz, “Distributed signal processing architecture for real-time convolution of 3D audio rendering for mobile applications,” in Virtual Reality and Augmented Reality (P. Bourdot, S. Cobb, V. Interrante, H. Kato, and D. Stricker, eds.), vol. 11162 of Lecture Notes in Computer Science, London: Springer, Oct. 2018, doi:10.1007/978-3-030-01790-3_9.

    D. Poirier-Quinot and B. F. G. Katz, “Impact of HRTF individualization on player performance in a VR shooter game II,” in Audio Eng Soc Intl Conf Audio for Virtual and Augmented Reality, (Redmond), pp. P4–1:1–8, Aug. 2018, (url).

    D. Poirier-Quinot and B. F. G. Katz, “Impact of HRTF individualization on player performance in a VR shooter game I,” in Audio Eng Soc Intl Conf Spatial Reproduction - Aesthetics And Science, (Tokyo), pp. P5–4:1–7, Aug. 2018, (url).

    A. Andreopoulou and B. F. G. Katz, “Comparing the effect of HRTF processing techniques on perceptual quality ratings,” in Audio Eng Soc Conv 144, (Milan), pp. 9920:1–8, May 2018, (url).

    D. Poirier-Quinot and B. F. G. Katz, “The Anaglyph binaural audio engine,” in Audio Eng Soc Conv 144, (Milan), pp. EB431:1–4, May 2018, (url).

    B. F. G. Katz, B. Postma, D. Thery, D. Poirier-Quinot, and P. Luizard, “Objective and perceptive evaluations of high-resolution room acoustic simulations and auralizations,” in Euronoise, (Crete), pp. 2107–2114, May 2018, (url).

    E. Hendrickx, P. Stitt, J.-C. Messonnier, J.-M. Lyzwa, B. F. G. Katz, and C. de Boishéraud, “Influence du ’head-tracking’ sur l’externalisation en écoute binaurale non- individualisée,” in Congrés Français d’Acoustique, (Le Havre), 2018.

    D. Thery, D. Poirier-Quinot, B. N. Postma, and B. F. G. Katz, “Impact of the visual rendering system on subjective auralization assessment in VR,” in Virtual Reality and Augmented Reality (J. Barbic, M. D’Cruz, M. Latoschik, M. Slater, and P. Bourdot, eds.), no. 10700 (EuroVR 2017) in Lecture Notes in Computer Science (LNCS), pp. 105–118, Springer, 2017, doi:10.1007/978-3-319-72323-5_7.

    D. Thery, B. N. Postma, and B. F. G. Katz, “Study of the impact of visual information on aural feedback subjective evaluations within virtual-reality environments,” in Conf francophone sur l’Interaction Homme-Machine, vol. 29, (Poitiers), pp. 315–324, L’Association Francophone d’Interaction Homme-Machine, Aug. 2017, doi:10.1145/3132129.3132164. (in French).

    D. Poirier-Quinot, B. F. G. Katz, and M. Noisternig, “EVERTims: Open source framework for real-time auralization in architectural acoustics and virtual reality,” in Digital Audio Effects, pp. 323–328, DAFX, Aug. 2017, (url).

    D. Poirier-Quinot, B. F. G. Katz, and M. Noisternig, “EVERTims: Open source framework for real-time auralization in VR,” in Audio Mostly, pp. 1–5, Sept. 2017, doi:10.1145/3123514.3123559.

    B. N. Postma and B. F. G. Katz, “Influence of visual rendering on the acoustic judgments of a theater auralization,” in Proc. Mtgs. Acoust., vol. 30, (Boston), pp. 015008:1–13, ASA, 2017, doi:10.1121/2.0000575.

    P. Stitt, E. Hendrickx, J.-C. Messonnier, and B. F. G. Katz, “The role of head tracking latency on binaural rendering,” in Tonmeistertagung TMT, (Cologne), pp. 350–355, Verband Deutscher Tonmeister, Nov. 2016, (url).

    B. N. Postma, D. Poirier-Quinot, J. Meyer, and B. F. G. Katz, “Virtual reality performance auralization in a calibrated model of Notre-Dame Cathedral,” in Euroregio, (Porto), pp. 6:1–10, June 2016, (url).

    P. Stitt, E. Hendrickx, J.-C. Messonnier, and B. F. G. Katz, “The influence of head tracking latency on binaural rendering in simple and complex sound scenes,” in Audio Eng Soc Conv 140, (Paris), pp. 9591:1–8, June 2016, (url).

    A. Andreopoulou and B. F. G. Katz, “Investigation on subjective HRTF rating repeatability,” in Audio Eng Soc Conv 140, (Paris), pp. 9597:1–10, June 2016, (url).

    B. N. Postma and B. F. G. Katz, “Dynamic voice directivity in room acoustic auralizations,” in German Annual Conf on Acoustics (DAGA), pp. 352–355, Mar 2016, (url).

    B. N. Postma and B. F. G. Katz, “Acoustics of Notre-Dame Cathedral de Paris,” in Intl Cong on Acoustics (ICA), (Buenos Aires), pp. 0269:1–10, Sept. 2016, (url).

    D. Poirier-Quinot, B. N. Postma, and B. F. G. Katz, “Augmented auralization : Complimenting auralizations with immersive virtual reality technologies,” in Intl Sym on Music and Room Acoustics (ISMRA), (La Plata), pp. 14:1–10, Sept. 2016, (url).

    Y. Jurkiewicz, E. Kahle, and B. F. G. Katz, “Stavanger Concert Hall, acoustic design and measurement results,” in Intl Conf Auditorium Acoustics, vol. 37, (Paris), pp. 300–307, Institute of Acoustics, Oct. 2015, (url).

    B. N. Postma, A. Tallon, and B. F. G. Katz, “Calibrated auralization simulation of the abbey of Saint-Germain-des-Prés for historical study,” in Intl Conf Auditorium Acoustics, vol. 37, (Paris), pp. 190–197, Institute of Acoustics, Oct. 2015, (url).

    B. F. G. Katz, Y. Jurkiewicz, T. Wulfrank, G. Parseihian, T. Scelo, and H. Marshall, “La Philharmonie de Paris - Acoustic scale model study,” in Intl Conf Auditorium Acoustics, vol. 37, (Paris), pp. 431–438, Institute of Acoustics, Oct. 2015, (url).

    A. Andreopoulou and B. F. G. Katz, “On the use of subjective HRTF evaluations for creating global perceptual similarity metrics of assessors and assessees,” in Intl Conf on Auditory Display, pp. 13–20, 2015, (url).

    F. R. Ospina, M. Emerit, and B. F. G. Katz, “The 3D morphological database for spatial hearing research of the BiLi project,” in Proc. of Meetings on Acoustics, vol. 23, (Pittsburg), pp. 1–17, Acoustical Society of America, May 2015, doi:10.1121/2.0000050.

    B. F. G. Katz, D. Q. Felinto, D. Touraine, D. Poirier-Quinot, and P. Bourdot, “BlenderVR: Open-source framework for interactive and immersive VR,” in IEEE Virtual Reality (IEEE VR), (Arles), pp. 203–204, Mar. 2015, doi:10.1109/VR.2015.7223366.

    D. Pelegrin-Garcia, M. Rychtáriková, C. Glorieux, and B. F. G. Katz, “Interactive auralization of self-generated oral sounds in virtual acoustic environments for research in human echolocation,” in Forum Acusticum, (Krakow), pp. 1–6, Sept. 2014, (url).

    B. N. Postma and B. F. G. Katz, “A history of the use of reflections arrival time in pre-Sabinian concert hall design,” in Forum Acusticum, (Krakow), pp. 1–6, Sept. 2014, (url).

    D. Poirier-Quinot and B. F. G. Katz, “CAVE-based virtual prototyping of an audio radiogoniometer: Ecological validity assessment,” in Intl Conf on Auditory Display, (NYC), pp. 1–8, ICAD, June 2014, (url).

    F. Rugeles, M. Emerit, and B. Katz, “Evaluation objective et subjective de différentes méthodes de lissage des HRTF,” in Cong Français d’Acoustique (CFA), (Poitier), pp. 2213–2219, 22-25 April 2014, (url).

    B. F. G. Katz, M. Noisternig, and O. Delarozière, “Scale model auralization for art science and music: The Stupaphonic experiment,” in EAA Joint Symp on Auralization and Ambisonics, (Berlin), pp. 14–19, 3-5 April 2014, doi:10.14279/depositonce-4.

    R. Nicol, L. Gros, C. Colomes, O. Warusfel, M. Noisternig, H. Bahu, L. Simon, and B. F. G. Katz, “A roadmap for assessing the quality of experience of 3D audio binaural rendering,” in EAA Joint Symp on Auralization and Ambisonics, (Berlin), pp. 100–106, 3-5 April 2014, doi:10.14279/depositonce-17.

    D. Poirier-Quinot, D. Touraine, and B. F. G. Katz, “BlenderCAVE: A flexible open source authoring tool dedicated to multimodal virtual reality,” in Joint Virtual Reality Conference (JVRC), (Orsay), pp. 19–22, Dec. 2013, (url).

    C. R. André, J.-J. Embrechts, J. G. Verly, E. Corteel, and B. F. G. Katz., “A new method for improving audiovisual spatial congruence for stereoscopic-3D video and wave field synthesis,” in Intl Conf on 3D Imaging (IC3D), (Liège), pp. 1–8, Dec. 2013, (url).

    P. Luizard, J.-D. Polack, and B. F. G. Katz, “Auralization of coupled spaces based on a diffusion equation model,” in Sound and Music Computing Conference (SMAC/SMC), (Stockholm), pp. 616–621, July-Aug. 2013, (url).

    D. Poirier-Quinot, D. Touraine, and B. F. G. Katz, “BlenderCAVE: A multimodal scene graph editor for virtual reality,” in Intl Conf on Auditory Display, (Lodz), pp. 223–230, ICAD, Oct 2013, (url).

    P. Luizard, B. Katz, and C. Guastavino, “Perception of reverberation in coupled volumes: discrimination and suitability,” in Intl Sym on Room Acoustics (ISRA), (Toronto), pp. 1–9, June 2013, (url).

    M. Aussal, F. Alouges, and B. Katz, “A study of spherical harmonics interpolation for HRTF exchange,” in Proc. of Meetings on Acoustics, vol. 19, (Montreal), pp. 050010:1–9, Acoustical Society of America, June 2013, doi:10.1121/1.4800216.

    P. Luizard, M. Otani, J. Botts, L. Savioja, and B. F. G. Katz, “Comparison of sound field measurements and predictions in coupled volumes between numerical methods and scale model measurements,” in Proc of Meetings on Acoustics, vol. 19, (Montreal), pp. 015114:1–9, June 2013, doi:10.1121/1.4799138.

    M. Ammi and B. F. G. Katz, “Audio-haptic intermodal coupling for comparative search tasks,” in IEEE Haptics Symp (HAPTICS), (Vancouver, Canada), pp. 307–313, 04/03 au 07/03 2012, doi:10.1109/HAPTIC.2012.6183807.

    M. Aussal, F. Alouges, and B. F. G. Katz, “ITD interpolation and personalization for binaural synthesis using spherical harmonics,” in Audio Eng Soc UK Conf, (York, UK), pp. 04:01–10, Mar. 2012, (url).

    M. Rébillat, E. Corteel, B. G. Katz, and X. Boutillon, “From vibration to perception: using Large Multi-Actuator Panels (LaMAPs) to create coherent audio-visual environments,” in Acoustics 2012, (Nantes), pp. 1–6, Apr 2012.

    G. Parseihian, B. F. G. Katz, and S. Conan, “Sound effect metaphors for near field distance sonification,” in Intl Conf on Auditory Display, (Atlanta), pp. 6–13, 18-21 June 2012, (url).

    C. André, J.-J. Embrechts, J. Verly, M. Rébillat, and B. F. G. Katz, “Sound for 3D cinema and the sense of presence,” in Intl Conf on Auditory Display, (Atlanta), pp. 14–21, 18-21 June 2012, (url).

    T. Bouchara, B. F. G. Katz, and C. Jacquemin, “Guidage attentionnel á base de flou audiovisuel pour la conception d’interfaces multimodales,” in Ergo’IHM, (Biarritz), pp. 124–131, Oct 2012.

    L. Picinali, C. Feakes, D. Mauro, and B. F. G. Katz, “Tone-2 tones discrimination task comparing audio and haptics,” in IEEE Intl Symp on Haptic Audio-Visual Environments and Games, (Munich), pp. 19–24, 8/10 au 9/10 2012, doi:10.1109/HAVE.2012.6374432.

    D. Poirier-Quinot, P. Duvaut, Girardeau, and B. F. G. Katz, “3D Head-mounted antenna array architecture optimization based on the fisher information matrix,” in Intl Conf on Ultra Modern Telecommunications (ICUMT), (St. Petersburg), pp. 135 – 142, Oct. 2012, doi:10.1109/ICUMT.2012.6459653.

    P. Luizard and B. Katz, “Coupled volume multi-slope room impulse responses: a quantitative analysis method,” in Intl Conf Auditorium Acoustics, vol. 33, (Dublin), pp. 169–176, Institute of Acoustics, May 2011, (url).

    B. Katz, O. Delarozière, and P. Luizard, “A ceiling case study inspired by an historical scale model,” in Intl Conf Auditorium Acoustics, vol. 33, (Dublin), pp. 314–321, Institute of Acoustics, May 2011, (url).

    M. Rébillat, E. Corteel, X. Boutillon, and B. F. G. Katz, “Audio, visual, and audio-visual egocentric distance perception in virtual environments,” in Forum Acusticum, (Aalborg), pp. 1287–1292, 27-June - 1-July 2011.

    L. Picinali, B. F. G. Katz, A. Afonso, and M. Denis, “Acquisition of spatial knowledge of architectural spaces via active and passive aural explorations by the blind,” in Forum Acusticum, (Aalborg), pp. 1311–1316, 27-June - 1-July 2011, (url).

    M. Evrard, C. André, J. Verly, J.-J. Embrechts, and B. F. G. Katz, “Object-based sound re-mix for spatially coherent audio rendering of an existing stereoscopic-3-D animation movie.,” in Audio Eng Soc Conv 131, (New York, USA), pp. 8486:1–15, 20-23 Oct 2011, (url).

    M. Ammi and B. F. G. Katz, “Design of haptic stimuli for audio-haptic concurrent coupling,” in IEEE Intl Symp on Haptic Audio-Visual Environments and Games, (Hebei, China), pp. 74–80, 14/10 au 17/10 2011, doi:10.1109/HAVE.2011.6088395.

    B. Katz and L. Picinali, “Exploration of virtual acoustic room simulations by the visually impaired,” in Intl Seminar on Virtual Acoustics (ISVA), pp. 169–177, 2011, (url).

    M. Rébillat, E. Corteel, and B. F. G. Katz, “The SMART-I² : a new approach for the design of immersive audio-visual environments,” in EuroVR-SIGs workshop (EuroVR-EVE 2010), (Orsay), pp. 1–4, 2010, (url).

    M. Rébillat, R. Hennequin, E. Corteel, and B. F. G. Katz, “Prediction of harmonic distortion generated by electro-dynamic loudspeakers using cascade of Hammerstein models,” in Audio Eng Soc Conv 128, (London), pp. 1–10, 2010, (url).

    B. F. G. Katz, P. Truillet, S. Thorpe, and C. Jouffrais, “NAVIG: Navigation assisted by artificial vision and GNSS,” in Workshop on Multimodal Location Based Techniques for Extreme Navigation (Pervasive 2010), (Helsinki, Finland), pp. 1–4, 2010.

    B. Ménélas, L. Picinali, B. F. G. Katz, and P. Bourdot, “Audio haptic feedbacks in a task of targets acquisition,” in IEEE Symp on 3D User Interfaces (3DUI), (Waltham, USA), pp. 51–54, 2010, doi:10.1109/3DUI.2010.5444722.

    T. Okamoto, D. Cabrera, M. Noisternig, B. F. G. Katz, Y. Iwaya, and Y. Suzuki, “Improving sound field reproduction in a small room based on higher-order ambisonics with a 157-loudspeaker array.,” in Intl Symp on Ambisonics and Spherical Acoustics, (Paris), pp. 1–4, 2010.

    D. Schönstein and B. F. G. Katz, “Sélection de HRTF pour la synthèse binaurale d’une base de donnée en utilisant des paramètres morphologiques.,” in Cong Français d’Acoustique, (Lyon), pp. 1–7, 2010.

    D. Schönstein and B. F. G. Katz, “Variability in perceptual evaluation of HRTFs.,” in Audio Eng Soc Conv 128, (London, UK), pp. 1–11, 2010, (url).

    D. Schönstein and B. F. G. Katz, “HRTF selection for binaural synthesis from a database using morphological parameters.,” in Intl Cong on Acoustics 20, (Sydney), pp. 1–6, 23-27 August 2010, (url).

    N. Mariette, B. F. G. Katz, K. Boussetta, and O. Guillerminet, “SoundDelta : a study of audio augmented reality using WiFi-distributed Ambisonic cell rendering,” in Audio Eng Soc Conv 128, (London), pp. 8123:1–15, 2010, (url).

    T. Bouchara, B. Giordano, I. Frissen, B. F. G. Katz, and C. Guastavino, “Effect of signal-to-noise ratio and visual context on environmental sound identification,” in Audio Eng Soc Conv 128, (London), pp. 1–11, 2010, (url).

    L. Picinali, B. Ménélas, B. F. G. Katz, and P. Bourdot, “Evaluation of a haptic / audio system for 3-D targeting tasks,” in Audio Eng Soc Conv 128, (London), pp. 1–11, 2010, (url).

    T. Bouchara, B. F. G. Katz, C. Jacquemin, and C. Guastavino, “Audio-visual renderings for multimedia navigation,” in Intl Conf on Auditory Display, (Washington, D.C.), pp. 245–252, 2010, (url).

    D. Cabrera, T. Okamoto, B. F. G. Katz, M. Noisternig, Y. Iwaya, and Y. Suzuki, “Considerations in characterising an almost anechoic room for interactive spatial audio reproduction,” in Intl Symp on Room Acoustics (ISRA), (Melbourne), pp. 1–6, Aug 2010, (url).

    L. Picinali and B. F. G. Katz, “Spectral discrimination thresholds comparing audio and haptics,” in Haptic and Auditory Interaction Design Workshop, vol. II, (Copenhagen), pp. 1–2, Sept 2010.

    M. Courgeon, M. Rébillat, B. Katz, C. Clavel, and J.-C. Martin, “Life-sized audiovisual spatial social scenes with multiple characters : MARC & SMART-I2,” in 5èmes journées de l’Association Française de Réalité Virtuelle, Augmentée, Mixte et d’Interaction 3d (AFRV), (Orsay), pp. 1–6, Dec 2010.

    M. Rébillat, E. Corteel, and B. F. G. Katz, “SMART-I² : Spatial multi-user audio-visual real-time interactive interface, a broadcast application context,” in 3D-TV, (Potsdam), pp. 1–4, 2009, doi:10.1109/3DTV.2009.5069682.

    I. Frissen, B. F. G. Katz, and C. Guastavino, “Perception of reverberation in large single and coupled volume,” in Intl Conf on Auditory Display, (Copenhagen), pp. 1–5, 2009, (url).

    C. Jacquemin, R. Ajaj, S. Le Beux, C. d’Alessandro, M. Noisternig, B. Katz, and B. Planes, “The glass organ : musical instrument augmentation for enhanced transparency,” in Intl Symp on Smart Graphics, (Salamanca, Spain), pp. 1–12, May 28-30, 2009 2009.

    N. Mariette and B. F. G. Katz, “SoundDelta - Largescale, multi-user audio augmented reality,” in EAA Symp. on Auralization, (Espoo), pp. 37–42, 2009, (url).

    L. Picinali, B. F. G. Katz, A. Afonso, and M. Denis, “Creazione di un sistema di realtà virtuale per soggetti non vedenti, parte ii: Confronto tra navigazione reale e navigazione virtuale in un modello acustico 3d,” in National Congress of the Associazione Italiana di Acustica, (Turin), pp. 1–8, Jun 2009.

    C. d’Alessandro, M. Noisternig, S. Le Beux, L. Picinali, B. F. G. Katz, C. Jacquemin, R. Ajaj, B. Planes, N. Strurmel, and N. Delprat, “The ORA project : audio-visual live electronics and the pipe organ,” in Intl Computer Music Conf (ICMC), (Montreal), pp. 1–4, Aug 2009, (url).

    B. Ménélas, L. Picinali, B. F. G. Katz, P. Bourdot, and M. Ammi, “Haptic audio guidance for target selection in a virtual environment,” in Haptic and Auditory Interaction Design Workshop (HAID), (Dresden), pp. 12–13, 2009.

    T. Okamoto, B. F. G. Katz, M. Noisternig, Y. Iwaya, and Y. Suzuki, “Implementation of real-time room auralization using a surrounding 157 loudspeaker array,” in Intl Workshop on the Principles and Applications of Spatial Hearing (IWPASH), (Sendai), pp. 1–4, 2009.

    T. Okamoto, B. F. G. Katz, M. Noisternig, Y. Iwaya, and Y. Suzuki, “Implementation of real-time room auralization using a surrounding loudspeaker array,” in Conf of the Virtual Reality Society of Japan 14, pp. 1–4, Sep 2009.

    N. Noisternig and B. F. G. Katz, “Reconstructing sound source directivity in virtual acoustic environments,” in Intl Workshop on the Principles and Applications of Spatial Hearing (IWPASH), (Sendai), pp. 1–4, 2009.

    B. F. G. Katz and E. Kahle, “Auditorium of the Morgan library, computer aided design and post-construction results,” in Intl Conf Auditorium Acoustics, vol. 30, (Oslo), pp. 123–130, Institute of Acoustics, Oct. 2008, (url).

    L. Picinali, B. F. G. Katz, A. Afonso, and M. Denis, “Creazione di un sistema di realtà virtuale per soggetti non vedenti: Confronto tra due diverse tecniche di registrazione audio in 3d e progettazione di un modello acustico per la navigazione,” in National Congress of the Associazione Italiana di Acustica, (Milano), pp. 1–8, Jun 2008.

    D. Schönstein, L. Ferré, and B. F. G. Katz, “Comparison of headphones and equalization for virtual auditory source localization,” in Acoustics’08. 9e Congrés Français d’Acoustique of the SFA. Paru dans : JASA, Vol 123, n°5, (Paris), pp. 1–5, 2008, (url).

    B. F. G. Katz, E. Rio, L. Picinali, and O. Warusfel, “The effect of spatialization in a data sonification exploration task.,” in Intl Conf on Auditory Display, (Paris), pp. 1–7, 2008, (url).

    R. Greff and B. F. G. Katz, “Circumaural transducer arrays for binaural synthesis,” in Acoustics’08. 9e Congrés Français d’Acoustique of the SFA., (Paris), 2008, (url).

    M. Rébillat, E. Corteel, and B. F. G. Katz, “SMART-I2 "Spatial Multi-user Audio-visual Real-Time Interactive Interface",” in Audio Eng Soc Conv 125, pp. 7609:1–16, 2008, (url).

    F. Dramas, B. Oriola, B. F. G. Katz, S. Thorpe, and C. Jouffrais, “Designing an assistive device for the blind based on object localization and augmented auditory reality,” in ACM Conf Computers and Accessibility (ASSETS), (Halifax, Canada), pp. 263–264, 2008, doi:10.1145/1414471.1414529.

    J.-C. Martin, C. Jacquemin, L. Pointal, and B. F. G. Katz, “A 3d audio-visual animated agent for expressive conversational question answering,” in Korea Soc for Information Convergence Conf, pp. 53–56, 2008, (url).

    B. F. G. Katz, A. Tarault, P. Bourdot, and J.-M. Vézien, “The use of 3d-audio in a multi-modal teleoperation platform for remote driving/supervision,” in Audio Eng Soc Conf: on Intelligent Audio Environments, (Saariselkä), pp. 1–9, 2007, (url).

    A. Raake, B. F. G. Katz, and G. Perez, “Vorhersage und kontrolle der sprachverständlichkeit in räumlich dargebotenen audio-konferenzschaltungen. (Prediction and control of speech intelligibility in spatially rendered audio-conferences),” in 33rd German Annual Conf on Acoustics (DAGA), (Stuttgart), pp. 1–2, Mar 2007.

    J.-C. Martin, C. Jacquemin, L. Pointal, B. F. G. Katz, C. d’Alessandro, A. Max, and M. Courgeon, “A 3D audio-visual animated agent for expressive conversational question answering,” in Intl Conf on Auditory-Visual Speech Processing (AVSP) (E. K. J. Vroomen, M. Swerts, ed.), (Hilvarenbeek, The Netherlands), pp. 40:1–4, 2007.

    R. Greff and B. F. G. Katz, “Perceptual evaluation of HRTF notches versus peaks for vertical localisation,” in Intl Cong on Acoustics 19, (Madrid, Spain), pp. 1–6, 2007, (url).

    B. F. G. Katz and C. d’Alessandro, “Directivity measurements of the singing voice,” in Intl Cong on Acoustics 19, (Madrid), pp. 1–6, 2007, (url).

    B. F. G. Katz and D. Begault, “Round robin comparison of HRTF measurement systems : preliminary results.,” in Intl Cong on Acoustics 19, (Madrid, Spain), pp. 1–6, 2007, (url).

    E. Kahle, Y. Jurkiewicz, N. Faillet, T. Wulfrank, and B. F. G. Katz, “La Philharmonie de Paris concert hall competition, part 1 : Acoustic brief,” in Intl Symp. on Room Acoustics (ISRA), (Sevilla), pp. 1–6, 2007, (url).

    E. Kahle, T. Wulfrank, Y. Jurkiewicz, N. Faillet, and B. F. G. Katz, “La Philharmonie de Paris concert hall competition, part 2 : The competition,” in Intl Symp. on Room Acoustics (ISRA), (Sevilla), pp. 1–6, 2007, (url).

    G. Defrance, J.-D. Polack, and B. F. G. Katz, “Measurements in the new salle pleyel,” in Intl Symp. on Room Acoustics (ISRA), (Seville), pp. 1–6, Sep 2007.

    J.-C. Martin, C. d’Alessandro, C. Jacquemin, B. F. G. Katz, A. Max, L. Pointal, and A. Rilliard, “3D audiovisual rendering and real-time interactive control of expressivity in a Talking Head,” in Intl Conf on Intelligent Virtual Agents, (Paris), pp. 1–8, 2007.

    R. Greff and B. F. G. Katz, “Round robin comparison of HRTF simulation results : preliminary results.,” in Audio Eng Soc Conv 123, (New York, USA), pp. 1–5, 2007, (url).

    L. Picinali, B. F. G. Katz, A. Afonso, M. Noisternig, and M. Denis, “Spatialized audio applications for the blind,” in Audio Eng Soc Italian Section Annual Meeting, (Parma), pp. 07010:1–4, Nov 2007.

    B. F. G. Katz, O. Warusfel, P. Bourdot, and J.-M. Vézien, “CoRSAIRe - Combination of Sensori-motor Rendering for the Immersive Analysis of Results,” in Intl Workshop on Interactive Sonification, pp. 1–4, 2007, (url).

    F. Prezat and B. F. G. Katz, “The effect of audio compression techniques on binaural audio rendering,” in Audio Eng Soc Conv 120, (Paris), pp. 6704:1–8, 2006, (url).

    A. Raake and B. F. G. Katz, “SUS-based method for speech reception threshold measurement in French,” in Fifth Conf on Language Resources and Evaluation (LREC), (Genoa, Italy), pp. 2028–2033, May 2006, (url).

    B. F. G. Katz and E. Kahle, “Design of the new opera house of the Suzhou Science & Arts Cultural Center,” in Western Pacific Acoustics Conf (WESPAC), (Seoul), pp. 1–8, 2006, (url).

    A. Raake and B. F. G. Katz, “Measurement and prediction of speech intelligibility in a virtual chat room,” in ISCA/DEGA Tutorial and Research Workshop on Perceptual Quality of Systems, pp. 40–43, 2006, (url).

    C. d’Alessandro, B. F. G. Katz, and F. Boudet, “On the acoustics of the clavichord,” in De Clavicordio VII, Proc. VIIth International Clavichord Symposium, Musica Antica a Magnano, pp. 171–182, 2006.

    S. Busson, R. Nicol, and B. F. G. Katz, “Subjective investigations of the interaural time difference in the horizontal plane,” in Audio Eng Soc Conv 118, pp. 6324:1–12, 2005, (url).

    A. Afonso, B. F. G. Katz, A. Blum, C. Jacquemin, and M. Denis, “A study of spatial cognition in an immersive virtual audio environment: Comparing blind and blindfolded individuals,” in Intl Conf on Auditory Display, pp. 228–235, 2005, (url).

    B. F. G. Katz and E. A. Wetherill, “Fogg art museum lecture room, a calibrated recreation of the birthplace of room acoustics,” in Forum Acusticum, (Budapest), pp. 2191–2196, 2005, (url).

    C. Jacquemin, A. Afonso, A. Blum, S. de Laubier, M. Denis, H. Folch, H. Genevois, B. Katz, S. Nugier, and N. Schnell, “Design d’environnements multimodaux interactifs communicants.,” in Hypermedias Hypertexts, Products, Tools and Methods H2PTM, (Paris, France), 2005, (url).

    A. Blum, B. F. G. Katz, and O. Warusfel, “Eliciting adaptation to non-individual HRTF spectral cues with multi-modal training,” in 7ème Cong de la Soc Française d’Acoustique et 30ème congrés de la Soc Allemande d’Acoustique (CFA/DAGA), (Strasbourg), pp. 1225–1226, 2004, (url).

    J.-D. Polack, M. Castellengo, V. Maffiolo, C. Vogel, C. Guastavino, and B. F. G. Katz, “Soundfield reproduction: the limits of the physical approach,” in 7ème Cong de la Soc Française d’Acoustique et 30ème congrés de la Soc Allemande d’Acoustique (CFA/DAGA), (Strasbourg), pp. 371–372, 2004.

    B. F. G. Katz and C. d’Alessandro, “Apparent source width and the church organ,” in 7ème Cong de la Soc Française d’Acoustique et 30ème congrés de la Soc Allemande d’Acoustique (CFA/DAGA), (Strasbourg), pp. 1235–1236, 2004, (url).

    C. d’Alessandro and B. F. G. Katz, “Tonal quality of the clavichord : the effect of sympathetic strings,” in Intl Symp on Musical Acoustics (ISMA), (Nara), pp. 21–24, 31/3 – 3/4 2004.

    A. Blum, A. Afonso, B. F. G. Katz, and C. Jacquemin, “Expérimentation sur la perception de l’espace en réalité virtuelle immersive audio,” in Conf Francophone sur l’Interaction Homme-Machine (AFIHM IHM), (Namur), pp. 1–2, 2004.

    C. Jacquemin, A. Afonso, A. Blum, and B. F. G. Katz, “Une interface utilisateur 3d multimédia audio et graphisme : langage, navigateur et expérimentations,” in Conf Francophone sur l’Interaction Homme-Machine (AFIHM IHM), (Namur), pp. 1–2, 2004.

    B. F. G. Katz, R. Essert, and E. Kahle, “Measured effects of absorption location, receiver position, and source direction on reverberation,” in Intl Cong on Acoustics, (Rome), pp. 12–13, 2001, (url).

    B. F. G. Katz, “The Past Has Ears: Reflections on over 10 years of interdisciplinary research in archaeoacoustics,” in European Archaeological Assoc, 2024.

    F. Billiet, V. Le Page, S. Mullins, and B. F. G. Katz, “Virtual acoustic reconstructions of Notre-Dame cathedral’s past for musicological study,” in Music and contexts in the Iberian world medieval and renaissance (MEDyREN) : Early Music, Architectural Spaces and New Technologies, May 2022.

    P. Luizard, H. Demontis, P. Stitt, F. Brinkmanna, B. F. G. Katz, and S. Weinzierl, “First measurements of a project on voice directivity,” in DAGA, 2022.

    S. Mullins, V. Le Page, J. De Muynke, E. K. Canfield-Dafilou, F. Billiet, and B. F. G. Katz, “Preliminary report on the effect of room acoustics on choral performance in Notre-Dame and its pre-Gothic predecessor,” vol. 150, p. A258, 2021, doi:10.1121/10.0008212. hal.archives-ouvertes.fr/hal-03656066.

    D. Poirier-Quinot and B. F. G. Katz, “Binaural localization accuracy in VR games,” in Game Music, Sound Design and Virtual Reality Audio Conference (GameSoundCon), Oct. 2020. video https://youtu.be/JGRNJu_05Uk.

    E. Canfield-Dafilou, P. Domenighini, J. D. Muynke, C. d’Alessandro, and B. Katz, “Perceptual influence of directivity on pipe organ auralization,” in Viennatalk2020: Fourth Vienna talk on music acoustics, 2020.

    D. Thery and B. F. G. Katz, “Auralization of virtual concerts: a subjective evaluation comparing binaural and Ambisonic rendering,” in Meeting of Acoustical Society of America, May 2019.

    E. Hendrickx, P. Stitt, J.-C. Messonnier, J.-M. Lyzwa, B. F. G. Katz, and C. De Boishéraud, “Influence du ‘head-tracking’ sur l’externalisation en écoute binaurale non-individualisée,” in 3èmes Journées Perception Sonore, 2017, (url).

    A. Andreopoulou and B. F. G. Katz, “Identifying a perceptually relevant estimation method of the inter-aural time delay,” in Meeting of Acoustical Society of America, vol. 141, (Boston), p. 3635, 2017.

    B. F. Katz, P. Stitt, L. Simon, E. Hendrickx, and A. Andreopoulou, “Contributions of head-related transfer function choice and head tracking to virtual loudspeaker binaural rendering,” in Meeting of Acoustical Society of America, vol. 141, (Boston), pp. 3511–3512, ASA, 2017.

    B. F. Katz, B. N. Postma, D. Poirier-Quinot, and J. Meyer, “Experience with a virtual reality auralization of Notre-Dame Cathedral,” in Meeting of Acoustical Society of America, vol. 141, (Boston), p. 3454, 2017.

    B. F. G. Katz, “Recent studies in binaural audio perception and evaluation,” in Tonmeistertagung TMT, (Cologne), Verband Deutscher Tonmeister, Nov. 2016.

    D. Q. Felinto, D. Poirier-Quinot, D. Touraine, and B. F. G. Katz, “BlenderVR: Framework for multiplatform interactive and immersive VR,” in Blender Conf, (Amsterdam), Oct. 2015.

    G. Parseihian and B. F. G. Katz, “Auditory localization and reaching movements in the peripersonal space,” in Acoustics 2012, (Nantes), Apr 2012.

    B. Katz and L. Picinali, “Explorations by the visually impaired of real and virtual rooms,” in Meeting of Acoustical Society of America (Acoustics 2012), (Hong Kong, Republic of China), 12/05 au 18/05 2012.

    P. Luizard, N. Xiang, and B. F. G. Katz, “Coupled volumes and statistical acoustics: preliminary results of an improved analytical model,” in Meeting of Acoustical Society of America (Acoustics 2012), (Hong Kong, Republic of China), 12/05 au 18/05 2012.

    T. Bouchara and B. F. G. Katz, “Redundancy gains in audio-visual search,” in Intl Multisensory Research Forum (IMRF), (Oxford, UK), 19/06 au 22/06 2012, doi:10.1163/187847612X648116.

    E. Kahle, T. Wulfrank, Y. Jurkiewicz, B. Katz, and H. Möller, “Acoustic design of Grand Theatre projects in China,” in Meeting of Acoustical Society of America, (Hong Kong, Republic of China), 12/05 au 18/05 2012.

    D. Poirier-Quinot, D. Touraine, and B. F. G. Katz, “BlenderCave 3D-s project, OpenSource architecture adaptation to virtual reality research expectations,” in Blender Conf, (Amsterdam), blender.org, Oct 2012.

    B. F. G. Katz, “Spatial audio over headphones: Introduction to binaural technology,” in 3D Media – Prof Conf, 2012.

    G. Parseihian and B. F. G. Katz, “Rapid auditory system adaptation using a virtual auditory environment,” in Intl Mulisensory Research Forum 12, 2011.

    G. Parseihian and B. F. G. Katz, “Recalibrating the auditory system through audio-kinesthesic training.,” in European Workshop on Imagery and Cognition 12, (Helsinki, Finland), 2010.

    E. Corteel and B. F. G. Katz, “3D audio requirements and available technologies, from laboratory, to cinema, to home,” in 3D Stereo Media, (Liège), 8-10 Dec 2010.

    F. Dramas, M. Macé, B. F. G. Katz, and C. Jouffrais, “Object localization system for the blind: Designing a user-centered auditory interface,” in Intl Tech & Persons with Disabilities Conference (CSUN), (San Diego), Mar 2010.

    M. Denis, L. Picinali, A. Afonso, and B. F. G. Katz, “Blind people’s spatial representations: Learning indoor environments from virtual navigational experience,” in European Cong of Psychology 11, (Oslo), Jul 2009.

    E. Kahle, T. Wulfrank, Y. Jurkiewicz, and B. F. G. Katz, “Opera house reverberation times – design considerations,” in Acoustics’08. 9e Congrés Français d’Acoustique of the SFA, (Paris), p. 3935, Jul 2008.

    F. Dramas, B. F. G. Katz, and C. Jouffrais, “Auditory-guided reaching movements in the peripersonal frontal space,” in Acoustics’08. 9e Congrés Français d’Acoustique of the SFA., vol. 123, p. 3723, Acoustical Society of America, 2008, (url).

    N. Misdariis, A. Lang, B. F. G. Katz, and P. Susini, “Perceptual effects of radiation control with a multi-loudspeaker device,” in Acoustics’08. 9e Congrés Français d’Acoustique of the SFA., (Paris), 2008, (url).

    M. Noisternig, B. F. G. Katz, and C. d’Alessandro, “Spatial rendering of audiovisual synthetic speech used for immersive environment.,” in Acoustics’08. 9e Congrés Français d’Acoustique of the SFA, (Paris), Jul 2008.

    M. Noisternig, L. Savioja, and B. F. G. Katz, “Real-time auralization system based on beam-tracing and mixed-order Ambisonics,” in Acoustics’08. 9e Congrés Français d’Acoustique of the SFA, (Paris), Jul 2008.

    A. Blum, M. Denis, and B. F. G. Katz, “Navigation in the absence of vision : How to find one’s way in a 3D audio virtual environment?,” in Intl Conf on Spatial Cognition, (Rome & Perugia), Sep 2006.

    B. F. G. Katz and E. A. Wetherill, “Fogg art museum lecture room : a calibrated recreation of the birthplace of room acoustics.,” in 4th Joint Meeting of the Acoustical Society of America and the Acoustical Society of Japan, (Honolulu), p. 3009, 2006.

    B. F. G. Katz, F. Prezat, and C. d’Alessandro, “Human voice phoneme directivity pattern measurements,” in Fourth Joint Meeting: ASA and ASJ, 2006, (url).

    A. Afonso, B. F. G. Katz, A. Blum, and M. Denis, “Mental imagery and the acquisition of spatial knowledge without vision: A study of blind and sighted people in an immersive audio virtual environment,” in Xth European Workshop on Imagery and Cognition (EWIC), (St Andrews, Scotland), June 2005.

    A. Afonso, B. F. G. Katz, A. Blum, and M. Denis, “Spatial knowledge without vision in an auditory vr environment,” in XIVth meeting of the European Society for Cognitive Psychology, (Leiden, the Netherlands), 2005.

    E. Kahle and B. F. G. Katz, “Design of a new stage shell for the stadthaus in winterthur, switzerland,” in Meeting of the Acoustical Society of America 147, (New York), May 2004.

    C. Guastavino, B. F. G. Katz, D. Dubois, J.-D. Polack, and C. Arras, “Perception of background noise in urban soundscapes,” in Intl Workshop on Architectural and Urban Ambient Environment, (Nantes), Feb 2002.

    E. Kahle, R. Johnson, and B. F. G. Katz, “The new konzertsaal of the KKL Center, Lucerne, Switzerland. II Preliminary acoustical measurements,” in Acta Acoustica, vol. 85, 1999.

    B. F. G. Katz, “Computational model of an individual head-related transfer function using the bem,” in Acta Acoustica, vol. 85, p. S267, 1999.

    B. F. G. Katz, P. Malpas, and S. Wise, “The theory and practice of designing with directional beamforming loudspeaker arrays,” in Reproduced Sound 15, Institute of Acoustics, Nov 1999.

    B. F. G. Katz, “New approach for obtaining individualized head-related transfer functions,” in J Acoust Soc Am, vol. 100, 1996.

    B. F. G. Katz, “The Past Has Ears – Virtual acoustic binaural reconstructions for research and public outreach,” in Huawei Future Device Technology Summit - Aurora Summit, Huawei, Huawei, 2025. Invited talk.

    B. F. G. Katz, P. G. Parera, and D. Poirier-Quinot, “Inter HRTF set consistency and quality evaluation : 1 subject, 13 individual HRTFs, 3 methods,” in Aural Assessment By means of Binaural Algorithms (AABBA), 2025.

    B. F. G. Katz, “L’acoustique : une science ou un mystère ?,” in Architecture et musique : comment penser une salle de concert ?, Philharmonie de Paris, 2025. Table ronde.

    B. F. G. Katz, D. Poirier-Quinot, J. D. Muykne, and J. M. Lyzwa, “The Past Has Ears : de Notre-Dame Whispers à Vaulted Harmonies,” in Audio3D’24: Du laboratoire aux applications du quotidien, 2024.

    B. F. G. Katz, “Exploration numérique de l’histoire acoustique de la cathédrale Notre-Dame,” in Notre-Dame de Paris en chantiers, 2024, (url).

    B. F. G. Katz, “L’acoustique de l’abbaye de Noirlac et son application aux voix chantées,” in Des Ondes et des Mondes 2024: Du Quantique au Cantique, 2024.

    B. F. G. Katz and J. Mouscadet, “The Past Has Ears at Notre-Dame : un concert documentaire musicologique et archéoacoustique,” in Rencontres d’Archéologie de la Narbonnaise, 2024.

    B. F. G. Katz, “The Past Has Ears - Research at the intersection of Acoustics, Virtual Reality, Cultural Heritage, and Experimental Archaeology,” in Graduate Program in Acoustics Seminar, 2024. Invited talk.

    B. F. G. Katz, “Resonating History: A Digital Expedition into the Acoustic Legacy of Notre-Dame Cathedral,” in Lecture Series "Cultural Heritage in the Digital Age", 2024, (url). Invited talk.

    B. F. G. Katz, “Experimental virtual archaeological-acoustics : Bringing together physical, computer, and social science researchers,” in Artsoundscapes seminars, 2024. Invited talk.

    B. F. G. Katz, “Productions publiques pour explorer l’histoire acoustique de la cathédrale Notre-Dame,” in Journées Techniques du Spectacle et de l’Evénement, 2023, (url). Table ronde : Archéologie sonore : quand l’acoustique devient un patrimoine commun.

    B. F. G. Katz, “Digitally exploring the acoustic history of Notre-Dame cathedral,” in EuropeanaTech, 2023, (url). Invited talk.

    B. F. G. Katz, “eXploring the acoustic history of Notre-Dame cathedral,” in XR Stories’ Culture and Heritage Event, (York, UK), 2023, (url). Invited talk.

    J. Ferrando, J. Simonnot, C. Esclapez, B. F. G. Katz, J. DeMynke, and A. Guerber, “Immersion musicale en acoustique patrimoniale immersive : Reconstitution 3d du patrimoine historiquement informé,” in Séminaire Humanités Numériques, Univ of Corte, 2023. Invited talk.

    D. Poirier-Quinot and B. F. G. Katz, “Auralisation for blind individual architectural exploration,” in Aural Assessment By means of Binaural Algorithms (AABBA), 2023.

    B. F. G. Katz, D. Poirier-Quinot, and J.-M. Lyzwa, “Experimental Virtual Archaeological-Acoustics: The case of ‘La Vierge 2020’,” in AURA - Glimpsing the Future of Immersive Sound Experience, BGZ Berliner Gesellschaft fürinternationale Zusammenarbeit mbH, 2022. Invited talk.

    B. F. G. Katz, “Experimental virtual archaeological-acoustics : Bringing together physical, computer, and social science researchers,” in Historic interiors and digital technology - possibilities and limits of virtual reconstructions for research, 2022.

    B. F. G. Katz, “On HRTF individualization and HRTF adaptation, two-sides of the same problem,” in 3D Audio on Headphone Workshop, Huawei, Huawei, 2022. Invited talk.

    B. F. G. Katz, “Individual HRTFs: What can and can’t they do,” in Aural Assessment By means of Binaural Algorithms (AABBA), (Vienna), Jan. 2020.

    A. A. Jaco, B. F. G. Katz, P. Piolino, and A. R. Galiano, “Assistance aux personnes en situation de handicap visuel dans l’élaboration de cartes mentales d’environnements inconnus,” in Journées de l’Association de Langue Française des Psychologues spécialisés du Handicap Visuel (ALFPHV), (Lyon), Oct. 2019.

    B. F. G. Katz, “Binaural Audio - From ideals to reality,” in Greater Bay Area - International Acoustics Symposium, (Shenzhen), Dec. 2019, (url). Invited talk.

    B. F. G. Katz and B. N. Postma, “L’auralisation augmentée de la salle Louis Jouvet du Théâtre de l’Athénée. L’acoustique historique des lieux de spectacle,” in La scène parle. Voix, acoustiques et auralités en France dans la seconde moitié du XXe siècle, (Paris), Dec. 2016.

    B. F. G. Katz, “Binaural listening - from research topic to consumer ready technology,” in Perceptual Evaluation for AV, VR and AR (SenseCamp’16), (Copenhagen), DELTA, Nov. 2016. Invited talk.

    B. F. G. Katz, D. Poirier-Quinot, and J.-M. Lyzwa, “Interactive production of the “virtual concert in Notre-Dame”,” in Forum Intl du Son Multicanal (FISM), no. 19, (Paris), Nov. 2016, (url).

    B. Katz, “La production de contenues interactifs,” in Le son 3D binaural, Journée BiLi, (Paris), France Télévisions, Sept. 2016, (url).

    B. Katz, “Virtual auditory display architecture and the blind,” in RIEC International Symposium on Perception and Communication, (Sendai), 2014, (url). Invited talk.

    B. F. G. Katz, R. Greff, and A. Blum, “Synthèse binaurale : Recherches et applications dans les domaines acoustiques et les sciences cognitives,” in Journées d’Etude sur la Spatialisation (JES2006), 2006.

    B. F. G. Katz, “L’Orgue et l’Eglise,” in Des tuyaux et des orgues autour de Henri Bouasse, Colloque - 10ème festival Toulouse les Orgues, (Toulouse), Oct 2005.

    B. F. G. Katz, “Salles réelles, salles virtuelles,” in Science & Musique : acoustique musicale, interaction entre sciences cognitives, physique et musique, (Cargèse), 2004.

    C. Jacquemin, S. Adam, A. Blum, and B. F. G. Katz, “Animation 3D temps réel interactive avec Virtual Choreographer,” in Résonances 2004. Rencontres internationales des technologies pour la musique, (Paris), IRCAM, Oct 2004.

    J.-D. Polack and B. F. G. Katz, “L’ouïe : ondes sonores, musique, et architecture,” in Rencontres “Quinte & Science”, (Paris), Université Paris 6, May 2004.

    B. F. G. Katz, “Enregistrement et synthèse binaurale pour l’acoustique des salles,” in Méthodes d’enregistrement et de restitution sonore pour l’évaluation de la perception des bruits de transport, (Lyon), Sep 2003.

    B. F. G. Katz and D. Poirier-Quinot, “Anaglyph binaural engine,” June 2019. International Deposit Digital Number IDDN.FR.001.250010.000S.P.2019.000.10000.

    B. Katz and D. Schönstein, “Method for selecting perceptually optimal HRTF filters in a database according to morphological parameters,” February 2010, (url). [PCT/FR2011/050840, WO 2011128583, CN 102939771, EP 2559265, US 20130046790, JP 2013524711, KR 20130098149].

    B. F. G. Katz, E. Rio, and L. Picinali, “LIMSI Spatialisation Engine,” 2010. International Deposit Digital Number IDDN.FR.001.340014.000.S.P.2010.000.31235.

    B. F. G. Katz and A. Raake, “Prédicteur d’intelligibilité dans une scène audio multi-locuteur,” 2007. International Deposit Digital Number IDDN.FR.001.340011.000.S.P.2007.000.10400.

    A. Raake and B. F. G. Katz, “Semantically unpredictable sentences for reception threshold measurement in French,” 07 2007. Audio Corpus.

    S. S. Mullins and B. F. G. Katz, “The Past Has Ears at Notre-Dame Cathedral: An Interdisciplinary Project in Digital Archaeoacoustics,” Acoustics Today, vol. 20, no. 2, pp. 49–58, 2024, (url).

    S. S. Mullins, E. K. Canfield-Dafilou, and B. F. G. Katz, “Exploring cultural heritage and restoration of Notre-Dame Cathedral through acoustic digital reconstructions,” IoA Bulletin, pp. 48–54, Sept.-Oct. 2023, (url).

    B. F. G. Katz and M. Lawless, “Book review: Acoustics for Engineers: Troy Lectures, 3rd Ed.,” J Aud Eng Soc, vol. 70, no. 9, pp. 782–783, 2022, (url).

    M. Pardoen and B. F. G. Katz, “Comment les acousticiens peuvent reconstruire le « son » de notre-dame de paris,” Le Journal du Dimanche, 2022, (url).

    Katz, Brian F. G., “Book review on "The Technology of Binaural Understanding" by jens blauert and jonas braasch (eds.),” Acta Acust., vol. 5, p. 29, 2021, doi:10.1051/aacus/2021027.

    B. F. G. Katz, D. Murphy, and A. Farina, “Exploring cultural heritage through acoustic digital reconstructions,” Physics Today, vol. 73, pp. 32–37, dec 2020, doi:10.1063/pt.3.4633.

    B. F. G. Katz and D. Poirier-Quinot, “Archéologie acoustique par reconstruction virtuelle pour l’analyse in situ,” Culture et Recherche, no. 141, pp. 25–26, 2020, (url).

    B. F. G. Katz, “Book review: Acoustics, Information, and Communication: Memorial Volume in Honor of Manfred R Schroeder,” J. Audio Eng. Soc, vol. 65, p. 346, Apr. 2017, (url).

    G. Parseihian and B. F. G. Katz, “Les technologies du son 3d au service des aides aux non-voyants,” Acoustique & Techniques, no. 71, pp. 18–21, 2013.

    B. F. G. Katz, O. Delarozière, and P. Luizard, “A ceiling case study, inspired by an historical scale model,” Acoustics Bulletin, vol. 36, no. 5, pp. 38–43, 2011, (url).

    B. F. G. Katz and A. Tarault, “L’utilisation de l’audio 3D dans une plate-forme de télé-operation multimodale pour la télécommande/supervision de conduite,” La Revue de l’AIESME, vol. 345, pp. 11–15, July-Aug.-Sept. 2009.

    B. F. G. Katz and E. Wetherill, “The fall and rise of the Fogg Art Museum lecture hall: A forensic study,” Acoustics Today, vol. 3(3), pp. 10–16, 2007, doi:10.1121/1.2961153.

    P. de Parscau, “á la conquète des écrans géants : Digiscope, le virtuel de demain.” Vidéo : Le Journal CNRS, Sept. 2017, (url). Demonstrateur du projet ECHO: Timecode: [05:17]-[5:33].

    Arkamys, “Arkamys thoughts on VR.” Into the Sound: e-Newsletter, Apr. 2017, (url).

    K. Hamasaki, “Immersive audio BiLi project (Part II),” Prosound, vol. 196, pp. 90–95, Dec. 2016, (url). (in Japanse).

    A. Gharibian, “Tailored 3D sound,” CNRS Intl Mag, vol. 34, pp. 16–17, July 2014, (url).

    X. Lefebvre and L. Martein, “Douces France en Bourgogne.” Emission télévision, chaine ARTE; DVD, ASIN:B006TN0LNI, Mar. 2012, (url). Timecode: [00:18:13]-[00:21:33].

    V. Shannon, “Taking sound to a new level,” International Herald Tribune, 19 March 2008, (url).

    D. Sanz, “Des oreilles pour tous, un son pour chacun,” Le Figaro, 6 Feb. 2008, (url).

    F. Ernould, “Arkamys, l’écoute au naturel,” Sonovision, April 2008.

    C. Ingrand, “Plein écran : Bose, Arkamys: au coeur du son....” Emission télévision, chaine LCI, 13-Apr 2008, (url).

    J. Soulez, “« Le Fogg Art Museum »,” Archistorm, vol. 24, mars-avril, pp. 60–62, 2007.